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Between sadomasochism and seduction who is the mistress?

Between sadomasochism and seduction who is the mistress ? One wonders if there is an inability to think, in reality, the woman feminine and sensual seduction that uses to dominate , so that for fear this is linked to bdsm . But then what is the role of the mistress , in Italy , for whom the research?

The mistress , bdsm in the report , is a deity , so untouchable , androgynous , and private distorted by his " being a woman ", then , to be mistress must bring together in one body by Dea class , femininity , seduction and determination. You can not be dominant using only charm and eroticism , it is true that many women of history, treacherous in the heart , they got what they wanted with the seduction , the praise and your body - sometimes snatching and excitement in transmuting pain - . Lady Godiva riding naked and sleeping but it was crazy in love with her ​​, the Borgia seduced to kill and plunder , the sultry Madame Bovariè made ​​the art of loving power, Cleopatra is , even today, sensuality, Lady Macbeth used his lover to arrive its purpose. What is common among these women? Beyond the ask yourself , who icy, untouchable , who sensual and provocative , all are animated by pure cruelty , free from emotions , and finally succeeded with the seduction to take in hand stories , lives , lovers and even games of power. Women treacherous , figures who need the power and, using determination, body. sensuality and the absence of moral , are imposed . Emerge from the folds of the history of civilization , women, sensual and treacherous , but necessary . From the time when biblical Herodias not only instigates her daughter Salome to ask Herod the head of John the Baptist, but later plot to her husband shirk his brother the coveted title of king of Judea , until then all ' age old matrons between armed as Fulvia who pierced the language of Cicero, and ruthless conspirators at the imperial court as Agrippina minor and Julia Maesa , the first author of the ascent to the throne of her son Nero , the second instigator of the murder of his nephew Elagabalus ; until the Middle Ages and the Renaissance, in which there is no kingdom that does not have its wicked : from ' Empress Irene of Byzantium that to maintain power he blinded his son , to Isabella of Castile, an advocate of the Inquisition . Even in the modern era is the evil female , like those of Francisca de Zubiaga , the most famous woman in arms and chat during the nineteenth century revolutionary movements in South America ; Elisabeth Nietzsche , ' nazificatrice ' of the works of his brother and founder of a colony for the purity of the breed , and the nefarious wives of dictators Franco and Mao Tse - tung.E what about Elsa Maxwell , the American journalist who in the first half of the 900 destroyed a generation of actresses with his pen of film criticism . This method debunks historical and cultural prejudices of ancient historiography and the perfidy of women need to understand the strong personalities who combined sensuality and cruelty.

The story highlights the pathways through which it was formed and evolved the ' female identity , but also less well-known and popular in the districts of commodified ilmito Malafemmena remains ; malafemmena Neapolitan is the symbol of' female universe represented by the poets of the nineteenth and early twentieth centuries in its dark sides . The image that gives is not a prostitute or another but it is an image of woman stubborn and headstrong , sensual but hard , is a creature that is not just the bride who brings out his most disturbing feature: opportunism . And when the wife is no longer needed , click the betrayal then performed as a challenge , " Are you attracted , flatters you , luring you [... ] before you ciancèa cu ciento moves ( ... ) offa '' t believe it! ( . ..) And then ? Po ' you loose . " So the woman most cruel is the one that appeals to you , flatters you , stabs you with the weapons the scents, flavors , the sweetness of femininity, then overwhelms you with its sadistic opportunities for women. One wonders why the imagery on the mistress does not detect these things but simply surrender to the idea of the English-speaking mistress icy , cold , unfriendly, liege to pain and completely detached unemotional .

A woman then that is not from anything before and now nothing if not punishment and pain. A woman who is sensual , feminine, but instead arises with disconcerting anti- feminism almost wanting to destroy and deny his true nature . But is this really the mistress that you want? A cold wall that does not communicate ? Anything that does not empathize ? At sadomasochism serves sensuality typical of the woman, the mistress is a woman, should not deny his nature , adulterate , should not become a misogynist , a man in a skirt , but on the contrary should be beautiful and enhance fierce , sensual and determined. We have so a female dominatrix mistress who knows how to weave the weapon of seduction as a stretched canvas to catch the prey and attack . So so scared to be normal , to be myself ?

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