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Looking at the legs

Written by Imperatrice dei sensi.

Make judgments on the legs is a difficult issue . Put in a frame better defined simply as " dizzy " , are deep, deep psychological intentionally rated to a continual provocation that transforms the word , the fold at his pleasure , pushing those hearts and lungs and not fable , a payment of amorous feelings , a combination of ' love or in each case , risk and misunderstanding of souls and bodies : An inverted V , where the word sinuous and gaze reach full synergy in every phrase of what you decide to make the text. The sensuality that emanates is not hidden , indeed takes over and we show how trajectory made ​​of light, advanced form of communication and cultural message before erotic. Pillars of Hercules to be crossed , the eroticism that releases in talking about it is not to be confused with the eroticism of dubious provocation sui generis , is a language chosen , planned a new kind of symbols much more complex than it appears . Legged widens the concept of Eros to something sensual that is not necessarily linked to the senses, the body , the limbs , but the soul. The psyche , beyond the territory of a trivialized , rendered anonymous by a preconceived " bigot " is expressed thus: " Stupid man and you open legs over her body , gallery shining columns burnished legs and the lighthouse on the nigrita . " Stunning and do not cause disturbance to the erotic drive anything unnatural , framing a meeting point , a communion of libido and instincts that can neutralize or render the nth degree the fate of the two sexes .

The legs have their own licentiousness , immorality that does not cause a feeling of obscenity , but as a "lie detector" reveals a conditio sine qua non of seduction in all its many facets , in all its hidden corners well and savvy . The leg Erotic art is always in step with the times , node who refuses to accept hostage eros , nor taken for granted , even if you experience a subtle sensuality obsolete , it should not be referred to any artificial lust and is paradoxically a sensuality without lasciviousness , an approach - the other half of the sky - a modus to ask yourself , as always, in the sense of the erotic senses. The legs mean the descent into hell , to be a visionary that distorts the canons , re-evaluating this nell'afrore a boost libertarian that leads us to metaphors of misunderstanding provocative language from fielding an undisguised amazement , a clear and persuasive prudery , which awaits in terms of the apocalypse , the triumph of the flesh and circulate in the privacy of thought in with closed the tale of sacred and profane love that is victorious from their encounter .

The body does not remain free from sin even by keeping her virginity , and this contrast is felt in the legs , this impact Jungian between flesh and psyche , which is the turning point between the supreme beauty of the body and the sin or , in terms of contrast , between life and death. Talk about it without metricologiche forms or linguistic structures created by looks broken , as synaesthesia , no casts or mummified , are affected in the same instinct of their peremptory and pervasive inner tension that is foreign to sexuality and never imagined . A body double purified from useless against the ever -conformism , but tasty , extremely flexible and polymorphic , authenticated by an odor that is code and code , operatic repertoire , which leads us to a natural setting, imaginative , original, extremely tense to absolute linguistic similarities that do not have with anyone else.

They lead us to a system that is customized metaphor , which binds to language strategies and sound that is the transformation erotic and vocabulary that does not go unnoticed developments leading us to stress its erotic lyricism of a heterogeneous , polysemic , with strong originality that turns over time in a hall of mirrors where the key element is the development of refraction intimate. Act does not make the eros dirty , but sublime , but not dissacrandolo , because through the real module manages to reach higher levels of emotional and sentimental sphere that immortalize ; exerts a subtle charm in the maze of the most advanced realization of the symbol, which continuously it operates between the sacred and the profane preferring the ambiguity of expression through that territory ironic , almost skinny language that defines and distinguishes it .

The Eros circulating and being talked about is mental , proposed with new techniques and new strategies almost metaphorical and metapoietiche : the ambiguity of the symbols welcomes a maverick attitude , which in contempt hairy common morality , as if rivisitasse a particular area of the mind, the brain and psyche , feel the need to regenerate with new breath of poetry, without the grit of much minimalism and generalized impostor who gives nothing to the reader, does not allow any wealth of invention, nor divided into intuitions of absolute rigor and freshness narrative as this author . The rose, which reminds us of his hatching places the legs at the top of the ' imaginary , from the rules of classical language , harmonics, orchestral who blow the verbal tension conducting an experiment that continues forever.

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